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by the low register coating the large lines alternatively drawn by the two instruments. Love, at times calm and voluptuous, at other times frolicsome in “La courbe de tes yeux”. If poems and duos present formal analogies, music quickly emancipates itself from the text to create its own logic: beyond the lyric poem, this triptych seems to deliciously extend the sound impression left by the words. The two slow movements are based upon the poems “La courbe de tes yeux fait le tour de mon cœur” (“The Curve of your Eyes Goes Around my Heart”) and “Leurs yeux toujours purs” (“Their Still Pure Eyes”), both from Capitale de la douleur, whereas “Ses yeux sont des tours de lumière” (“Her Eyes Are Towers of Light”) is the second poem from L’Amour la Poésie. Time besides seems to be arrested at the poet’s dedication: “To Gala, this book without an end”.Ĭapitale de la douleur is a slow-fast-slow structured triptych. Capitale de la douleur thus reflects the fullness of a mutual love, whereas L’Amour la Poésie celebrates a now one-way love. These works magnify his relation with his first muse Gala (whose real name was Helena Diakonova) who left him in 1929 for Salvador Dalì. This cycle is a musical setting of three texts by the surrealist poet Paul Éluard, taken from two of his most famous sets: Capitale de la douleur (1926) and L’Amour la Poésie ( Love Poetry) (1929). Durham, NH: Oyster River Press, ISBN 0-961.Capitale de la douleur ( Capital of Pain) was written in 2013 as the result of the friendship between the Sità duo (a flute and clarinet duo) and the composer Romain Dumas. Shadows and Sun/Ombres et Soleil: Poems and Prose (1913–1952) by Paul Eluard.
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The principles of peace, self-government, and liberty became his new passion. His grief at the premature death of his wife Nusch in 1946 inspired the work "Le temps déborde" in 1947. Later life File:Perelachaise-Eluard-p1000383.jpg Milan Kundera has recalled he was shocked when he heard of Éluard's public approval of the hanging of Éluard's friend, the Prague writer Zavis Kalandra in 1950. He joined the French Communist Party in 1942, which led to his break from the Surrealists(Citation needed), and he later eulogised Joseph Stalin in his political writings.
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During World War II, he was involved in the French Resistance, during which time he wrote Liberty (1942), Les sept poèmes d'amour en guerre (1944) and En avril 1944: Paris respirait encore! (1945, illustrated by Jean Hugo). In 1934, he married Nusch (Maria Benz), a model and a friend of his friends Man Ray and Pablo Picasso, who was considered somewhat of a mascot of the surrealist movement. In 1929 he had another bout of tuberculosis and separated from Gala when she left him for Salvador Dalí. Éluard's writings of this period reflect his tumultuous experiences. After a marital crisis, he traveled, returning to France in 1924.